EntertainmentTVCrime ShowsTrue DetectiveTrue Detective season 4 team break down all the twists from that intense finaleWhen you purchase through links on our site, we may earn an affiliate commission.Here’s how it works.
EntertainmentTVCrime ShowsTrue DetectiveTrue Detective season 4 team break down all the twists from that intense finaleWhen you purchase through links on our site, we may earn an affiliate commission.Here’s how it works.
When you purchase through links on our site, we may earn an affiliate commission.Here’s how it works.
(Image credit: HBO/Sky)
“What’s hidden in the snow will come forth in the thaw”, claims an old Swedish proverb – a motto that could certainly apply to the season finale of Alaska-set True Detective: Night Country. In the bleak, beautiful last episode of the crime drama’s fourth season, bombshell truths were uncovered – and concealed yet again – as Liz Danvers (Jodie Foster) and Evangeline Navarro (Kali Reis) finally learnedwho killed Annie K, and what really happened that fateful night at the Tsalal Arctic Research Station.
Ordid they? Given the show’s spiritual and supernatural elements, things might not be quite as simple as that, Reis and writer-director Issa López tease in an exclusive interview withGamesRadar+. Below, the duo run through some of episode 6’s most memorable moments, from Danvers' fireside outburst at Navarro and the spiral symbol’s origins' reveal tothatsurprise “confession”…
Of course, it should go without saying that the below conversation is filled with major spoilersfor True Detective season 4, so if you’ve yet to finish the series, turn back now. Let’s dive in…
(Image credit: HBO)
GR: The reveal is so powerful and makes so much sense with the show’s themes, yet, I’ve got to admit, I never saw it coming. I’m curious as to whether you had the conclusion in mind before you even put pen to paper or did you come to it more organically during the writing process?
Issa López:When you start writing a murder mystery, you’d better know who the killer is… Otherwise, you’re going to twist something to make it work. You know how the crime is exposed at the very beginning, and what you need to discover is what your detectives need to discover to get to the end. The rest is just filled-in blanks, and filling in the blanks is fun!
Kali, what did you think when you read it in the script for the first time?
Kali Reis:First of all, I didn’t see it coming. It was one of those things where I read it, and then went back a few pages like, ‘Wait a minute, wait a minute… this ishuge’. I was really happy to see, especially as an indigenous woman, to see these women come together as a community, as the “invisible people” of this entire story, in search of justice. I was just like, “Yes! I can hear all the aunties screaming!”, like yeah, it was such a revelation. It also leaves a little bit of mystery, too, because we get the logic and we have our answers, but you don’t have all of them and you still don’t know really, truly know what happened to those men.
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Issa, I know you’ve spoken before about how the public perception of law enforcement has changed dramatically since the first season aired back in 2014. The ending really feels like a response to that, when Danvers and Navarro choose to keep the women’s “confession” to themselves.
López:There’s no fun in areas that aren’t a little grey, right? But even the first season – before we had that massive cultural shift of perception, our relationship with the police after George Floyd changed – did a pretty good job of talking about police corruption and the selective justice that is applied in some cases. You have to give it to them. That said, my favorite type of detective stories are the ones where the detective finds who the killer is and decides to walk away.
The finale is as much about Navarro embracing her Iñupiat culture and finding herself as it is about discovering what really happened to Annie and the scientists. Kali, what was that like to explore?
Reis:It was something I didn’t really have to explore because it was something so personal. Navarro needed to hear all that in order to move forward, whatever her choice was. So when I saw what her name was, and what it meant, and where the actual name came from, it’s just brought everything so full circle. Finally finding out what happened to Annie gave her a sense of closure; she closed all the doors that needed to be closed so she can walk through new ones and take that step forward. I mean, even thinking about it now, it’s just very, very personal to me. So it was an easy, easy relation.
(Image credit: HBO)
Night Country has been compared to The Thing a lot due to its snowy setting and more supernatural elements, but Part 6 is definitely the most Thing-esque installment. Did you look at it for inspiration?
There is a little bit of Alien in there, you know, the crew of the Nostromo. There are some nods to Cronenberg in the more body horror aspects of the show so yes, I see it as a nice cocktail of scary things.
Kali, how did the singular setting influence your performance?
Reis:Listen, it wasn’t fair that Jodie fits in all those little areas so nicely and I was, like, hunched over laughs. But it added to the desperation; it felt like the walls were closing in on not just the physical place but, actually time’s ticking.
It reallyfeltlike they were getting closer and closer and closer to the answer. It was fun shooting in there, I will say that, but it added to the realism of how far and how deep these women are gonna go to find the truth. You just decided to dig into an ice cave, in the middle of a storm, with no guarantee that you’re gonna make it out? It solidifies how committed they were to having each other’s backs and how much they trusted one another to find the answers.
López:I remember when we were shooting the scene of [Navarro] and [Danvers] breaking the hole in the ice – and Kali and Jodie actually broke a hole in natural ice. There was a hole underneath that Kali was supposed to get in, and we had all this fake arctic wind hitting them; I’m directing it and Jodie just turns to me right before I say ‘action’ and she yells, ‘These bitches are crazy!’
(Image credit: HBO)
Reis:That’s one of my favorite scenes, honestly. Performance-wise, shewentthere. You got to finally see Danvers say what she needs to say, and Navarro is, like, holding space for her to do so. I just think that whole scene is just so powerful. It was hard to shoot, though, because it was hot but we had to pretend we were freezing cold!
It just says so much about where Navarro is; she’s ready to listen. It’s like, ‘Okay, I have nothing else here for me and we’re trying to find this.’ But she’s so careful with how she handles Danvers. She’s just like, ‘You know what? I’m just gonna say what I have to say to get it out of you because I know now this is the time’.
López:What wowed me was the layers of emotion she goes through in every single line. Every word is so full of history and meaning, and that change in register was never predictable. I couldn’t tell how she was gonna deliver one line to the next line. It was truly wonderful and a privilege to be on that set that day, witnessing that.
Reis:I don’t think there was a dry eye in the house.
López:We closed the set as if it was a sex scene because in a weird way, it was – it’s incredibly intimate. The crew was behind walls and it was just the three of us, the DP, who was operating the camera at that point, and his first quarter. That was it. Every time Jodie wouldgothere and every time, we would just take a second after and breathe. I’d look at Jodie and she’d go, ‘Let’s go again’. I think she ended up doing that scene five or so times, and it was very hard to pick between those takes.
Was there ever a version of the show that delved into what happened to Holden more?
(Image credit: HBO)
There are a lot of violent men with bad intentions in the series, but then you have characters like Pete and Qavvik, who are very sweet and always trying to do the right thing. How important was it for you to include men like that in this narrative?
López:It was vital. We’re not saying that men are evil in this series. That’s not what it is aboutat all. Navarro and Danvers are not good people; they’re not. They will end up making the right decisions but they’ve made bad decisions in their lives. And it was very, very important to me to have at least two men that just made good decisions. They’re decent human beings, and sometimes the good decision seems like the only possible decision at a certain point.
The finale reveals the origin of the spiral symbol – the bones in the ice – of sorts, and it’s trippy, because Annie had a tattoo of that same symbol long before she made it down into that bunker lab. What does the spiral mean to you?
Do you think Annie really killed the scientists? Them dying from the cold doesn’t necessarily explain their terrified faces…
López:Well, Danvers would say, ‘It’s called hypothermia delirium.’ It causes visions and panic, and voila, corpsicle! Or, did they really face the entity that they woke up? It’s your decision. They dug in her house… they killed her daughter… and she came for them – and she ate their fucking souls.
Reis:… and spit out their frozen bones.
True Detective: Night Country is streaming now on Sky and NOW in the UK, and Max in the US. For more, check out our picks of the most excitingnew TV showsheading our way.
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1Nemesis review: “A magical sense of tension”
1Nemesis review: “A magical sense of tension”
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2Arcs review: “A whole lot of game in a small package”
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3Path of Exile 2 review: “A stellar start to a thrilling and brutal dark adventure”
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Marvel Rivals review: “So preoccupied with trying to be like Overwatch that it forgets to play to its own strengths”
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1Sonic the Hedgehog 3 review: “Keanu Reeves as Shadow is wasted whilst Jim Carrey steals the show”
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Sonic the Hedgehog 3 review: “Keanu Reeves as Shadow is wasted whilst Jim Carrey steals the show”
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2Mufasa: The Lion King review – “It’s no Hakuna Matata but this Disney origin story is a class above the 2019 movie”
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3Kraven the Hunter review: “The insistence on an R-rating helps save this, with a decent helping of bloodthirsty action”
3Kraven the Hunter review: “The insistence on an R-rating helps save this, with a decent helping of bloodthirsty action”
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Kraven the Hunter review: “The insistence on an R-rating helps save this, with a decent helping of bloodthirsty action”
4The Lord of the Rings: The War of the Rohirrim review – “An uninspired expansion of the most iconic screen take on Tolkien”
4The Lord of the Rings: The War of the Rohirrim review – “An uninspired expansion of the most iconic screen take on Tolkien”
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5Nightbitch review: “Amy Adams' disappointing dark comedy is all bark and no bite”
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Nightbitch review: “Amy Adams' disappointing dark comedy is all bark and no bite”
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2Doctor Who 2024 Christmas special review: “Ncuti Gatwa is as magnetic as ever in this delightful festive treat”
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3Secret Level review: “An uneven experience with serious highlights that ultimately make up for the misses”
3Secret Level review: “An uneven experience with serious highlights that ultimately make up for the misses”
3
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4Skeleton Crew review: “Perfectly captures the vibes of classic Star Wars with a swashbuckling twist”
4Skeleton Crew review: “Perfectly captures the vibes of classic Star Wars with a swashbuckling twist”
4
Skeleton Crew review: “Perfectly captures the vibes of classic Star Wars with a swashbuckling twist”
5Creature Commandos review: “James Gunn’s heartwarming, R-rated tale about super-monsters proves that the DCU is in good hands”
5Creature Commandos review: “James Gunn’s heartwarming, R-rated tale about super-monsters proves that the DCU is in good hands”
5
Creature Commandos review: “James Gunn’s heartwarming, R-rated tale about super-monsters proves that the DCU is in good hands”