GamesHorrorSlitterheadSilent Hill icon says Sony’s desire for more big-budget games at Japan Studio was at odds with his “motive” to “always” create original gamesWhen you purchase through links on our site, we may earn an affiliate commission.Here’s how it works.
GamesHorrorSlitterheadSilent Hill icon says Sony’s desire for more big-budget games at Japan Studio was at odds with his “motive” to “always” create original gamesWhen you purchase through links on our site, we may earn an affiliate commission.Here’s how it works.
When you purchase through links on our site, we may earn an affiliate commission.Here’s how it works.
(Image credit: Bokeh Game Studio)
Slitterheaddirector Keiichiro Toyama saysSonywanted Japan Studio to make “more highly budgeted games” before it was ultimately closed.
Speaking toVGCin a new interview, Toyama, who departed PlayStation’s Japan Studio in 2020, reflected on what Sony wanted from the studio itself. “With Sony, there was an increasing motive to make more highly budgeted games, and it wanted to go that way with the Japan Studio brand,” Toyama says.
Toyama is largely famed for pioneering the survival horror genre with Silent Hill atKonami, and later went on to direct Siren at PlayStation’s Japan Studio, a similarly horrific adventure, but one with more of a cult-like status than Silent Hill. Toyama would then go in a markedly different direction with the two Gravity Rush games, in 2012 and 2017.
Gravity Rush 2’s online servers were planned to shut down less than a year after launch in January 2018, but backlash from fans prompted the servers to stay open until July 2018 instead. Arguably the biggest game Japan Studio ever helped develop wasFromSoftware’s modern classic Bloodborne in 2015, so it’s a little surprising to hear Sony wanted it to make “more highly budgeted games.”
Slitterhead launches later this year on November 8 across PC, PS5, and Xbox Series X/S.
Take a look over ournew games 2024guide for a look over all the other new titles launching throughout the rest of this year.
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