GamesRadar+ VerdictThough closer in quality to Morbius than Venom, Kraven is far from a catastrophe and serves up a decent helping of bloodthirsty, globe-trotting action. Taylor-Johnson makes a muscular if self-satisfied protagonist in a film that would have been better off standing on its own shoeless feet than cravenly (or should that be, ‘kravenly’) cleaving itself to its comic book brethren.Pros+Well-executed action set-pieces+Gory, blood-drenched mayhem+Crowe’s scene-stealing turnCons-A too-smug Taylor-Johnson-The CGI looks pretty ropey-A forgettable Christopher Abbott
GamesRadar+ Verdict
GamesRadar+ Verdict
Though closer in quality to Morbius than Venom, Kraven is far from a catastrophe and serves up a decent helping of bloodthirsty, globe-trotting action. Taylor-Johnson makes a muscular if self-satisfied protagonist in a film that would have been better off standing on its own shoeless feet than cravenly (or should that be, ‘kravenly’) cleaving itself to its comic book brethren.
Though closer in quality to Morbius than Venom, Kraven is far from a catastrophe and serves up a decent helping of bloodthirsty, globe-trotting action. Taylor-Johnson makes a muscular if self-satisfied protagonist in a film that would have been better off standing on its own shoeless feet than cravenly (or should that be, ‘kravenly’) cleaving itself to its comic book brethren.
Pros+Well-executed action set-pieces+Gory, blood-drenched mayhem+Crowe’s scene-stealing turn
Well-executed action set-pieces
Gory, blood-drenched mayhem
Crowe’s scene-stealing turn
Cons-A too-smug Taylor-Johnson-The CGI looks pretty ropey-A forgettable Christopher Abbott
A too-smug Taylor-Johnson
The CGI looks pretty ropey
A forgettable Christopher Abbott
Why you can trust GamesRadar+Our experts review games, movies and tech over countless hours, so you can choose the best for you.Find out more about our reviews policy.
Why you can trust GamesRadar+Our experts review games, movies and tech over countless hours, so you can choose the best for you.Find out more about our reviews policy.
Sony’s Spider-Man Universe (SSU) has been a mixed bag at best and an extended calamity at worst, with this year’s dire double whammy ofMadame WebandVenom: The Last Danceseemingly putting paid to the notion of an MCU-adjacent supervillain chronology.
Chandor’s insistence on an R-rating (15 in the UK) makes a big difference, with little attempt to soften its title character’s bloodlust and ‘kraving’ for human quarry. One late sequence, glimpsed in the film’sred band trailer,sees him do away with pursuers with a bear trap, a spike-studded log, and an improvised body splitter, while his weapons of choice elsewhere include a lion tooth removed from a convenient rug and a giant William Tell-style crossbow.
Natural born killer
(Image credit: Sony)

FAST FACTSRelease date:December 13Available on:In theatersDirector:J. C. ChandorRuntime:2hr 7 mins
FAST FACTS
Release date:December 13Available on:In theatersDirector:J. C. ChandorRuntime:2hr 7 mins
Release date:December 13Available on:In theatersDirector:J. C. ChandorRuntime:2hr 7 mins
Cut to the present day where Kraven, like some nasty Santa, has a list of targets to implacably slice through. First to go is a Russian crime boss whose seemingly secure location – a subzero Siberian gulag – offers no protection from his resourceful stalker. Woe betide too any buffalo-slaying hunter who dares to kill bison on his land!
Thank goodness for Russell Crowe
(Image credit: Sony)

Had Chandor’s film stayed an old-school mob yarn with a dash of All the Money in the World, it would probably have been a perfectly satisfying throwaway. What undermines it is its rather desperate eagerness to ally itself with the wider Spider-Man canon, through the introduction of Christopher Abbott’s mind-controlling assassin Foreigner (a student, we are told, of the now dead Hitman), fleeting references to a certain Miles Warren (aka The Jackal), and a character’s late-in-the-day mutation into one of Spidey’s oldest nemeses. Given Peter Parker is a stubborn no-show throughout, we are left yet again waiting for the SSU’s most persistently camera-shy Godot.
Crowe’s ability to elevate so-so material makes his every appearance the guiltiest of pleasures
Crowe’s ability to elevate so-so material makes his every appearance the guiltiest of pleasures
Thank goodness, then, for Crowe, whose seasoned ability to elevate even so-so material makes his every appearance the guiltiest of pleasures. With his penchant for macho bromides (“Never fear death!”, “Be one with nature!”, “Always shoot to kill!") and prodigious appetite for alcohol (“Pour for men, not for boys!"), he brings a jolt of testosterone-dripping energy to every scene he’s in that makes one wish he’d been asked to do more than another Zeus-style cameo.
To his credit, Chandor gives the actor an exit worthy of Shakespeare that comes topped with a nod to Brian De Palma’s Carlito’s Way. Throw in an opening music cue lifted from The Hunt for Red October, and you have a film not afraid to wear its borrowings on its blood-splattered sleeve.
Kraven the Hunter is out in US and UK theaters on December 13. For moreupcoming movies, check out our guide toupcoming superhero movies.
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