GamesOpen WorldGhost of TsushimaGhost of Yotei’s trailer perfectly captures what made Ghost of Tsushima so special in the first placeWhen you purchase through links on our site, we may earn an affiliate commission.Here’s how it works.
GamesOpen WorldGhost of TsushimaGhost of Yotei’s trailer perfectly captures what made Ghost of Tsushima so special in the first placeWhen you purchase through links on our site, we may earn an affiliate commission.Here’s how it works.
When you purchase through links on our site, we may earn an affiliate commission.Here’s how it works.
(Image credit: Sucker Punch Productions)
Fire! Trees! Mountains! Trees, on mountains! Sucker Punch Productions sure knows how to treat us. The firsttrailerforGhost of Yoteiis finally here, and to nobody’s surprise,Ghost of Tsushima’s long-awaited follow-up looks absolutely stunning. For all of its action-packed shots – its snarling wolves, tense duels, and burning buildings – the trailer’s scenic shots of Mount Yōtei and its peaceful surroundings are ultimately what’s left me pining for 2025 to arrive quicker.
The scenic route
(Image credit: Sony)
Blunder or brilliance?(Image credit: Sucker Punch)Ghost of Yotei’s title features a historical inaccuracy so clever that one Japanese scholar believes “it has to be intentional”
Blunder or brilliance?
(Image credit: Sucker Punch)Ghost of Yotei’s title features a historical inaccuracy so clever that one Japanese scholar believes “it has to be intentional”
(Image credit: Sucker Punch)
Ghost of Yotei’s title features a historical inaccuracy so clever that one Japanese scholar believes “it has to be intentional”
When I finally played Ghost of Tsushima in June, I kept my expectations low. There was no way that it could live up to the hype – I’d been hearing about its supposed brilliance for years, after all – and I’m generally quite picky when it comes to even thebest open world games. Luckily, I was massively incorrect. I fell hopelessly in love with Ghost of Tsushima, largely for the same reason Ghost of Yotei’s trailer is so exciting: it’s content with letting you breathe in its setting, rather than perpetually Do Things. Sucker Punch’s open world nurtures curiosity, rather than bulldozing over it for a theme park of carefully-curated minimap activities.
(Image credit: Sony)
In turn, that understated spectacle made Ghost of Tsushima’s combat feel even more measured. For all of Jin’s elegance, violence at any level – whether it’s the loud clashing of steel on steel, or an assassinated soldier quietly gurgling his last breath – is the antithesis to Tsushima’s serenity. In hindsight, I spent a lot of my time in the game trying to subconsciously smother that intrusive feeling, choosing between head-on duels and careful stealth based on what would resolve an encounter as quickly and effectively as possible.
In just a few minutes, Ghost of Yotei’s trailer made me realize I’ve once again gone far too long without these thrills. There’s a lot I’m excited to learn more about in the sequel – namely how its 1603 setting is going to come into play, and what protagonist Atsu’s story is – but most of all, it’s served as a pretty reminder that I’ve still got Tsushima on my plate. Looking further ahead, I dearly hope that Yotei has the same careful pacing that its trailer suggests, and if I’m being really selfish, attempts an even more hands-off approach to exploration. For now, though, that can all wait – I’ve got an island to save.
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