GamesRPGThe Elder ScrollsThe Elder Scrolls 6Former Skyrim developer outlines what The Elder Scrolls 6 needs to ensure it’s a good sequel - and what Starfield stripped from Fallout 4When you purchase through links on our site, we may earn an affiliate commission.Here’s how it works.
GamesRPGThe Elder ScrollsThe Elder Scrolls 6Former Skyrim developer outlines what The Elder Scrolls 6 needs to ensure it’s a good sequel - and what Starfield stripped from Fallout 4When you purchase through links on our site, we may earn an affiliate commission.Here’s how it works.
When you purchase through links on our site, we may earn an affiliate commission.Here’s how it works.
(Image credit: Bethesda)
A Bethesda veteran behind Skyrim, Fallout, and Starfield has explained what Bethesda needs to bring to the table to ensure that The Elder Scrolls 6 is a successful sequel.
Bruce Nesmith, whose credits include Daggerfall, Oblivion, Fallout 3, Fallout 4,Starfield, and a role as lead designer onSkyrim, recently spoke toKiwi Talkz, outlining what makes a good sequel, and what Bethesda needs to do to make sure thatThe Elder Scrolls 6lives up to Skyrim.
“When we look at making sequels,” Nesmith explains, “you’re looking at a couple of different things. You have to look at ‘what should I do the same, what should I do different, and what should I do new?’ And you have to have something significant in each of those buckets. If a sequel does not contain something different than the previous ones, then it’s only tangentially an actual sequel.”
Nesmith goes into the idea that players want a sense of familiarity between games, and points to one thing that The Elder Scrolls 6 will likely have to keep: “If Bethesda made a new Elder Scrolls game and it didn’t have the material set that they were used to - the Elven, Daedric, Orcish, Glass, etc - that would probably disappoint some people.”
Of course, not everything remains the same. Nesmith points to Fallout 4’s dialogue system, which “didn’t go over so well - you’ll notice it got pulled out for subsequent projects. Starfield didn’t have that, it had the Skyrim-style dialogue system.” Those are examples of things that are changed, or things that stay the same, but crucially, a sequel also has to have something new.
“If you aren’t putting something new on the table, then it’s like ‘well I played that already’. We had a number of new things in Skyrim, dragons being the number one thing, but also the whole radiant story system, where the world becomes highly responsive to the players' actions.” That system, Nesmith says, went down particularly well, but a full-fat sequel has “to have all three of those buckets.”
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Hey, maybe one of those is evenFallout 5.
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1Nemesis review: “A magical sense of tension”
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4Creature Commandos review: “James Gunn’s heartwarming, R-rated tale about super-monsters proves that the DCU is in good hands”
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